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11. Teri and Debi Green, 1976

11. Teri and Debi Green, 1976

Regular price $1,300.00 Sale

When I first walked into Taylor Camp with a camera and tripod everyone disappeared. I followed the trail from the road into the trees and through the village until I came to the treehouses along the beach. I heard a woman’s voice from above, “Hello! Can I help you?” It was Debi Green calling out to me through a screened window in The Big House.

Hi. I’m the photography teacher at the College,” I explained, “and I’d like to do a photo documentary of the camp.”

“Great! Come on up.” said Debi. She introduced me to her sister, Teri, I did a series of photos that day including this one of the sisters (their camp nickname was The SinTwisters...). I returned the next weekend and gave them several 8 x 10 museum grade silver prints from our session. It soon turned into a party with neighbors coming over to see the prints and then asking me to visit their houses and photograph them.  Within a few weeks I was keeping an appointment book for portraits.

 

PRINTS

Archival 19 x 12.875-inch inkjet photos printed on 22 x 17-inch Hahnemühle Photo Rag Baryta—a pure100% Cotton Fine Art paper, acid and lignin-free, with the classic look of analog darkroom prints. Each photograph is spray-coated to meet the most exacting archival requirements—sealing the print surface and protecting the photo from dirt, fingerprints, moisture, fading, airborne contamination, and ozone damage.

FRAMING

1. Crescent RagMat window mat and backing boards.

Crescent’s 100% Cotton RagMat Museum Solid C1153, with image border reveal of 5/16-inch top and sides with 7/16-inch bottom for title, date, and signature. Mat revealed (after framing) 4-inch top and sides and 4.25-inch bottom.

2. Mounting and Framing Procedures

Polyester film mounting corners approved by the Library of Congress. Studio Molding, #3345 Madera Grey frame, rabbet lined with conservation sealing tape. Mounting procedure is reversible. Finish dimension is approximately
30 x 21.5-inches. Framing process meets all Library of Congress Conservation Standards.

3. Glazing

Non-glare, UV protective shatterproof acrylic Tru Vue Museum Glass.