7. Beach volleyball, 1977
Nalani Kaauwai Brun was in grade school for most of the Taylor Camp era. “We were just little kids, but we could go down the beach on our own.,”
“We’d tell our mother we were going to pick shells but really we’d be going to see what the Taylor Camp guys were up to,” Nalani’s younger sister, Sandy Kaauwai, explained. “The first time I went to Taylor Camp, Nalani told me were going to see naked people! Oh my god, naked people! Back then nobody saw that!”
“We’d just have the biggest giggle fest,” continued Nalani, “hiding in the bushes, covering our eyes with our hands, pretending not to look, but really looking through our fingers. It was full-on Anatomy 101 for a bunch of little kids.”
“We’d usually try to go at volleyball time,” Sandy laughs,” when everything was flipping and flopping. It was a confusing time.”
Archival 19 x 12.875-inch inkjet photos printed on 22 x 17-inch Hahnemühle Photo Rag Baryta—a pure100% Cotton Fine Art paper, acid and lignin-free, with the classic look of analog darkroom prints. Each photograph is spray-coated to meet the most exacting archival requirements—sealing the print surface and protecting the photo from dirt, fingerprints, moisture, fading, airborne contamination, and ozone damage.
1. Crescent RagMat window mat and backing boards.
Crescent’s 100% Cotton RagMat Museum Solid C1153, with image border reveal of 5/16-inch top and sides with 7/16-inch bottom for title, date, and signature. Mat revealed (after framing) 4-inch top and sides and 4.25-inch bottom.
2. Mounting and Framing Procedures
Polyester film mounting corners approved by the Library of Congress. Studio Molding, #3345 Madera Grey frame, rabbet lined with conservation sealing tape. Mounting procedure is reversible. Finish dimension is approximately
30 x 21.5-inches. Framing process meets all Library of Congress Conservation Standards.
Non-glare, UV protective shatterproof acrylic Tru Vue Museum Glass.