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6. Teri and Rosey, 1976

6. Teri and Rosey, 1976

Regular price $1,300.00 Sale

“I was a very monogamous relationship person. I liked to find a person and have a relationship with them. I did not just want a one nighter. So, I do not know how other people at camp got together, I only know how I maneuvered through the group of very interesting men that were at Taylor Camp, but I was not going to sleep with them all!”

                                                                                                               — Teri Green

“The most amazing thing about camp was that everyone was naked. People think, ‘Ooh, ooh, ooh,’ right? But when you live naked, you see these girls naked every day. There's no prurient interest. It's like hanging out with your sisters every day. But when a new girl came onto the beach and wore a little bikini, you'd go, ‘Ooh, what's going on with that?’

People think, ‘Oh, you were naked. You were hippies. You had orgies!’ I never knew about any orgies, and if I knew about them, I'd be there. You know what I mean? It wasn't like I was shy about that kind of thing. Right? It wasn't going on. It was mainly couples. Relationships.”

                                                                                                    — Rosey Rosenthal

PRINTS

Archival 19 x 12.875-inch inkjet photos printed on 22 x 17-inch Hahnemühle Photo Rag Baryta—a pure100% Cotton Fine Art paper, acid and lignin-free, with the classic look of analog darkroom prints. Each photograph is spray-coated to meet the most exacting archival requirements—sealing the print surface and protecting the photo from dirt, fingerprints, moisture, fading, airborne contamination, and ozone damage.

FRAMING

1. Crescent RagMat window mat and backing boards.

Crescent’s 100% Cotton RagMat Museum Solid C1153, with image border reveal of 5/16-inch top and sides with 7/16-inch bottom for title, date, and signature. Mat revealed (after framing) 4-inch top and sides and 4.25-inch bottom.

2. Mounting and Framing Procedures

Polyester film mounting corners approved by the Library of Congress. Studio Molding, #3345 Madera Grey frame, rabbet lined with conservation sealing tape. Mounting procedure is reversible. Finish dimension is approximately
30 x 21.5-inches. Framing process meets all Library of Congress Conservation Standards.

3. Glazing

Non-glare, UV protective shatterproof acrylic Tru Vue Museum Glass.