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13. Alpin and Dana in the loft making up, 1977

13. Alpin and Dana in the loft making up, 1977

Regular price $1,300.00 Sale

 “You didn’t wear makeup at Taylor Camp,” explained Dana. “If you wore makeup, there was something wrong with you. You weren’t in touch with nature, you weren’t a hippie, you weren’t cool. So, me and Alpin were like the little trashy teenagers, free souls that had no idea what was in store for us.”

“I was nine years old when John took this picture of Dana and me,” added Alpin.  “I developed really early. By the time I was eleven, I could dress in grown-up clothes, wear high heels, put up my hair, put on makeup and get into the bars and the discos, because the drinking age was eighteen. Dana and I really got into wearing our Candies and wearing makeup and getting into that whole fashion scene. We were beginning puberty and that’s something that young girls do whether it’s an African village or at the end of the road on Kauai, that’s when you start doing your body decorations, coming of age, the little women rituals.”


Archival 19 x 12.875-inch inkjet photos printed on 22 x 17-inch Hahnemühle Photo Rag Baryta—a pure100% Cotton Fine Art paper, acid and lignin-free, with the classic look of analog darkroom prints. Each photograph is spray-coated to meet the most exacting archival requirements—sealing the print surface and protecting the photo from dirt, fingerprints, moisture, fading, airborne contamination, and ozone damage.


1. Crescent RagMat window mat and backing boards.

Crescent’s 100% Cotton RagMat Museum Solid C1153, with image border reveal of 5/16-inch top and sides with 7/16-inch bottom for title, date, and signature. Mat revealed (after framing) 4-inch top and sides and 4.25-inch bottom.

2. Mounting and Framing Procedures

Polyester film mounting corners approved by the Library of Congress. Studio Molding, #3345 Madera Grey frame, rabbet lined with conservation sealing tape. Mounting procedure is reversible. Finish dimension is approximately
30 x 21.5-inches. Framing process meets all Library of Congress Conservation Standards.

3. Glazing

Non-glare, UV protective shatterproof acrylic Tru Vue Museum Glass.